Tag: best effort

A Lady In Black

I am still working in iColorama. For details about the app, see my previous post.

iColorama is an app full of different options and the possibilities are endless.

I think that is what makes it such a popular app that people use. It can be hard to understand and if you are a Photoshop or Lightroom user it is not intuitive for you.

But now that I’m using it more, I’m seeing lots of possibilities.

I still find it an odd app to mask in and sometimes go over to Leonardo for that.

This model is from Pixabay which provides copyright free images for people to use.

Kino Glitch A New App

This last week a new app was released for iPhone and iPad. It’s called Kino Glitch. $1.99 at the App Store.

For those of you unfamiliar with Glitch apps, they’re meant to pretty much destroy your photo or drawing.

But this app is different. You have quite a bit of control over it. It’s different from any Glitch app I’ve ever used.

You choose the type of grid you want. Then you can adjust the size of the grid and how much Glitch effect comes through the grid. I chose none for this.

Then you can add a background and overlay.

You can also take your fingers and start moving the piece around. This is proving to be great fun.

The developer seems responsive to problems.

For anyone interested, I own a page on Instagram that features all kinds of photography, edits and art. If you would like to be featured, just tag to #BPA_Arts.

Enjoy your day!

I Can’t Quit You Baby

This is my most recent painting that I did in Painter. I started it in Rebelle as usual. Rebelle is a digital watercolor app that works just like real watercolor. It is written by digital artists.

I used Artist Oil brushes that I made to paint this. If anyone is interested in these bruins, drop me a line.

This was a very fun piece to paint. I love the colors I chose. They made my mouth water.

Something I discovered in this painting is that I used a more muted color for the leaves. This plays off the bright colors in the flowers and makes the bright show off more.

I know that the impressionists used grey in their paintings to show off their bright colors. I’ve just never totally understood that. But I see it in these leaves and flowers.

Enjoy your day!

A Landscape

Something different for you today. I am mainly an abstract artist. But here is a fun little landscape. I like to try these just to see where they can go.

I did this in Painter by Corel. I love the many things that Painter can do. For instance, it has a perspective tool I used to make sure my path was correct in relation to the horizon.

I used pastels and acrylics to do this piece.

It looked a bit empty when I got done, so I added the guy walking on the path.

I love to do skies that are very colorful. I could sit and paint beautiful sunset or sunrise skies all day.

While I was painting this my goal was to allude to the landscape in the way the impressionists did. They gave an illusion of leaves and let the eye fill in the details.

I’ve Seen You Before

I've Seen You Before

I’ve Seen You Before

This is a painting that I did in Corel Painter.  I promise I won’t bitch about Painter or tech support at Corel.  Actually, in Painter 2018, things are going very smoothly.  Painter released in this version some stability to the application that seems very nice.  They also released for their trick to get you to buy it and/or upgrade a thing called thick paint.  They claim this looks like real paint.  Well hold it, Corel, what have we been using all these years?  Has our paint not looked like real paint all along?

Anyway, maybe this looks more like real paint.  I’m just not sure.  But boy is this stuff thick.  It is like painting with gloop.  I initially stuck my nose up at it and said no way am I painting with this stuff.  Not only because it was gloop but because it has its own separate layer.  It has a separate layer that does not act like a real layer.  So it is isolated.  It will not do many of the things a layer should do.  Plus the brush engine for the thick paint has a lot of controls to figure out.

In the past, Corel rolls out its latest trick brushes and then the next year it acts like it never heard of these brushes.  You are left holding the bag as to these brushes.  Well, why should I learn the complex brush engine of these brushes if Corel is just going to move on to some other trick brushes next year?

Eventually, when I took Skip Allen’s Introduction class, I came to love the brushes Skip made and I used some of these brushes.  But, I’m holding off judgment on them.  I’m not embracing them yet because I’m concerned Corel will not develop them further in the future.  For example see the Dynamic Speckle Brushes that were developed a couple of years ago.  They have great potential. But still need some tweaking.  Hello, Corel, are you ever going to tweak those brushes?  No.  The program is full to the brim of brushes that need a tweak here and a tweak there.

Anyway, I bitched about Corel Painter.  I guess it’s the best thing out there, but they sure can make a person angry with their shortcomings.

This painting I did with my thick paint brushes that I was in the process of making before I knew Corel was going to come out with thick paint brushes.  I started working with the impasto brushes to see how thick I could make them and have them look like real paint.

In the impasto control panel you can pick the depth method.  It is right below the Draw To box.  The Draw To box is where you pick Color and Depth for impasto.  I swear I have never noticed the Depth Method box before.  Probably because the print is so small and there are so many options in Painter.  There is always something new to discover.

Anyway, I started using Paper for Depth Method and it opened a whole new world in Impasto.  Wow!!!  I have a huge collection of papers that give me lots of different depths.  But even if you don’t, just using Painter’s default papers give you a huge variety of textures.  This is especially true if you adjust the contrast and brightness to the paper.  I take the contrast up and bring the brightness down usually.  I believe that Painter reads the dark areas of paper.  Or else it reads the white areas.  But, I’m pretty sure it reads the dark areas.  But experiment for yourself if you need to actually know.  The other adjustments you can make to the paper are the paper scale which can be very important.  Then there is an adjustment for rotation which can play an important part.  Then new to Painter on the grain setting is the Random Grain Rotation setting and the Random Grain Position setting.  I really like the first one.  It makes your strokes on a piece of paper look very real.  Without this setting, you are just repeating a digital pattern.

Be sure to have Grain Expression set to pressure.  Then, and this one I consider essential, be certain that you have set the Brush Calibration for the individual brush.  I think it is essential to do this.  There are many that believe that global brush calibration is ok.  That just is not true, in my opinion.  Set Brush Calibration for every brush.  It makes a huge difference.

I painted this picture with some of my new impasto brushes.  While I was doing that I started goofing around with Liquid Inks.  I then remembered that if you went into the layer settings for Liquid Ink, it would cause the Liquid Ink to become thick and raise up and become 3D.  Wow!!!  Awesome!

OK, Painter really is an awesome app!!!!  It does some awesome things.

So then, I decided, I would have to add some of the thick paint that I wasn’t liking so much.  So grudgingly I put some on here and there with the fabulous brushes that Skip made (see my earlier blog for information on the Intro Class to 2018).  All in all, this was a really fun painting to do.

Oh!!!!  I have to tell you, I have fooled around with this painting since 2014!  I have repeatedly tried to paint it with nothing but failure!  But I got it out this time, now in 2017, and it just came together.  So, never give up on a painting, no matter what.

If you are interested in my brushes and want them, drop me an email.




A New Painting

Here’s a painting I just finished on my iPad Pro in my favorite app, Procreate.

I had thought I would get back to painting on my computer after a nine month hiatus due to the house remodel. But I’ve entered some kind of computer hell. I tried to get one drive changed to a larger one. They screwed that up. Then the next guy held my computer and wouldn’t work on it. But he refused to return it to me! I finally got it back. But now, it’s taking forever to get it fixed!
All because the first place did not push a button in a software app! Grrr!
I should learn to do this hardware stuff myself.




This is a painting I recently finished in my iPad Pro.  As many of you know from my previous blogs, I absolutely love my iPad Pro.  I did not expect to like it so much, but I do.

I also love the Apple Stylus or Pencil as they call it.  Apple completely knocked it out of the park when they made this stylus.  There is no drag on the stylus.  It draws just like you are using a real brush.  It is amazing.

On a completely different Apple product, I watched the Apple press conference yesterday.  I swore there was nothing, nothing that could get me to upgrade from my iPhone 6 Plus.  I am perfectly happy with it.  Except for one little thing.  The camera.  Yep.  The camera.  And Apple made a huge improvement in the camera.  They could have made it even better, but at least they are taking us up to 12 mega pixels.  So, yep, I gotta have one.  Plus, guess what?  Apple has learned how to make black.  Well, I gotta have black. I have my choice of matte or gloss.  They are trying to convince consumers that black is a big deal, and I’m falling for it.  But really, black?

Sigh, oh well, I’ll just open my wallet and let Apple pick away.

I look forward to sharing my new sharper photos with you next year when I have my new iPhone 7 Plus.

Additionally, Apple is going to be bringing us, hopefully, a depth of field feature via software.  In the iPhone 7 Plus, one will get an extra lens that zooms.  Go Apple, take my money!


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