Tag: brushes

Brushstrokes from Painter

Brushstrokes 1

Brushstrokes 1

Brushstrokes 2

Brushstrokes 2

Brushstrokes 3

Brushstrokes 3

These are three crops from a larger piece. I am working on brush strokes in Painter.  I want my work to have more textures in it.  That is something that makes a painting interesting and gets the viewer’s interest.

Painter has a few ways to show textures.  One way is using papers.  If you use a textured paper, then you have to make adjustments to the brush to get it to show the paper. So in addition to understanding how the papers work, one must also understand the brushes and their grain settings.

Painter comes with many papers.  I can also take any paper texture I like and scan it into the computer and bring it into Painter.  Once it is in Painter, then the paper has to be adjust for lightness, darkness, etc. so the brushes work with it.

I digress, back to brush strokes.

Take Ten

Take 10

Take 10

I have been in Maui for five weeks.  It was heaven.

While there, I took an ecourse from Tracy Verdugo.  I’ll talk more about this wonderful class in a future post.  It is an amazing painting/mixed media ecourse.  It is absolutely overflowing with wonderful creative material for any kind of artist, including a digital painter like me.  Check out Tracy and future courses here.  Tracy has written a great book entitled Paint Mojo.  That’s what the course was all about, getting on our creative Mojo.  It did.

Tracy not only took us through an entire painting, but gave us an incredible amount of other material.  Each week she gave us several projects to do to rev up our creative juices.  The class was just six weeks, but it will take me many more weeks to finish going through all she offered.

This piece is one exercise from one of the weeks.  We drew a grid and then chose a shape or object to draw.  We were to draw in each box in a different way.  I did a slightly different take on it.

Painter, the app I use to paint with, comes with over 700 brushes in various media.  I have added several hundred more brushes and media.  I have all kinds of media at my hands, not just paint.  Painter will mimic acrylic, oils, pens, pencils, crayon, conté, charcoal, gouache, watercolor, pastels (my favorite at this time), markers, and the list goes on.  It shows strokes in 3D.

I can use any kind of paper texture that I can scan in on my computer.  The brushes will show/interact with the textures of the papers.

There is way more that it can do.  I’ll save that for another post.

What A Ride

What A Ride

What A Ride

This is a digital pastel I did in Painter 2015.

I finally have done a piece I’m happy with.  I have struggled with my art lately.  I know what I want, but I can’t get the message from my brain to the paper.

I am trying to keep my work much looser.  This, I think, is crucial to getting good results.

I used my pastel brushes that I made in Painter 2015 for this pastel.  I am trying to get the effect of dry pastels.

Best of all, I had a lot of fun doing this pastel.

 

New Paintings

Summer Flowers

Summer Flowers

Wildflowers

Wildflowers

Through the DAA (Digital Art Academy), I belong to Karen Bonaker’s Painter Club.  For $50.00 every six months, she puts together excellent three to four hour video tutorials and provides us with great brushes for Painter that she custom makes.

This month was flowers.  The idea of this tutorial was to do one piece using complementary colors and the next piece to use colors from nature.  Complementary colors are those that are opposite each other on the color wheel.  I chose red and green for my first piece.

I started the piece by laying in some light color with a watercolor brush.  Then I used a new brush Karen had provided to dab in some greens.

In Painter X3, Corel added a new feature for the brushes called Jitter.  This had been available before, but now it is available in the grain, opacity and several other settings.  It is supposed to give the brush a more natural look.  I don’t know if it does or not.

I used Karen’s Poppy Brush, with jitter set to four, to make the impressionist-like flowers. Then I turned the jitter option off and made the sharper flowers.

To give some interest to this piece, I used what are called Overlays to start to do something to the background. The first one was a pink and blue one Karen had made.

In Painter, I placed this overlay into the painting on a layer and changed the layer to multiply.  When I add multiply to the layer it becomes transparent.  The colors show, but do not cover the layers underneath.

Next, I used a pattern overlay.  In Painter, patterns are usually just that, patterns.  They can be added in all kinds of ways into the painting.  In this case, the pattern I used was also made by Karen Bonaker.  It was an overlay.  Have I thoroughly confused everyone?

I took down the opacity in both overlays and let just a bit of each show through.  You can see just shades of the pink and blue overlay.  If you look in the stems closely, you can see the drips from the pattern overlay.

After the overlays, I went back with a new leaf brush Karen had provided in this month’s brushes.  I added in a lot of green to the mid area of the painting.

I finished by adding in some stems with a couple of different brushes.

To finish this piece, I used an effect called Equalize.  This adjusts the white and black values of the painting and gives it pop.

The second piece, I am not all that happy with, but I decided to post it.  It started out as a flower, then turned into a landscape.  I spent way too much time on it.  I am determined to start doing my work without taking so long.  I think things turn out better when they are more spontaneous.

At the moment, I’m very confused whether I want to paint realistically or stick to my abstracts.  I really think I use my imagination more in the abstracts.  But the landscapes and realistic pieces seem to be calling my name.

Stay tuned to see what happens.

 

 

The Icing On the Cake

 

The Icing On the Cake

The Icing On the Cake

I honestly don’t know where this painting came from.  It’s almost like another artist did it.  There is a struggle going on inside of my artistic self.

I had a very hard time with this one.  I’ve only been painting for two years.  I used to do textile art.

Painting is a real adventure for me.  It has been a journey of some amazing discoveries, but also some very difficult struggles.

Peace At Last

 

Peace At Last

Peace At Last

This painting was done using pastel brushes I made in Painter.

I took a painting class from Flora Bowley in September, 2012.  Since then, I have had an idea in my head of how I wanted to paint.  But getting it down on canvas has been a struggle.

I look and look at other art work.  I see what people are doing, but I can’t seem to do it.

This piece was a huge break-through for me.  I am closing in on how I want my work to look.

What I strive for in my art is to have a lots of light and dark contrast.  That is what makes a painting pop.  As much as I try, dark and light values have been a real challenge for me.  It sounds easy, but it’s not.

I learned a trick to use with digital painting.  In Painter, I open a new layer on top of the other layers.  I fill it with black and put it on colorize composite method.  When I am painting, I open this layer and it shows my painting in black, white and greys.  This lets me know if I am getting a good variety of values in my work.

With this piece, I did better than I usually do.  However, I discovered that if I use all highly saturated colors, they will all have the same value.

I was able to get a feeling of depth in this piece.  I have learned that I was able to do that because I used more light and dark values.

 

Hawaiian Clouds

Hawaiian Clouds

Hawaiian Clouds

This is another pastel I did for my pastel class.  I’m really having a lot of fun exploring pastels and landscapes.

This is the view from the lanai where we stayed in Maui last year.  Actually this was a sunrise, but I turned it into a sunset.

I’m feeling like I need to paint an abstract.  These landscapes stretch me and challenge me.  That is fine and good.  But I love to paint abstracts.

 

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